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Posts Tagged ‘Broadway theatre’

Save the Date for Reel Hope Boulder Featuring Bruce Vilanch

Friday, June 16th, 2017

BOULDER JEWISH NEWS
Save the Date for Reel Hope Boulder Featuring Bruce Vilanch
Alaina Green ??
June 3, 2017

4-27-2013 3-29-19 AM

Join Boulder Jewish Family Service (JFS) for the fifth annual Reel Hope Boulder featuring award-winning writer, comedian, songwriter, and actor Bruce Vilanch on Saturday, October 14 at 7:00 pm at the Boulder JCC, 6007 Oreg Avenue. This fundraising event will include a wine and beer reception with substantial hors d’oeuvres and a first-hand account of Bruce’s storied decades-long career. Sponsors will enjoy an exclusive reception with Bruce at 6:30 pm.

All proceeds support the life-transforming work of Boulder JFS, which provides older adults, adults with disabilities, their families, and individuals in crisis with services to enhance their quality of life.

Bruce VilanchAbout Bruce Vilanch

With his unmistakable presence—characterized by a big-girl figure, oversized red glasses, a shaggy blonde mane, and usually a hilarious T-shirt—Bruce Vilanch has been one of Hollywood’s most colorful characters for decades. His campy presence and outrageous apparel only heighten his broad appeal.

He’s known to many as an onscreen character actor and comedian, but Vilanch achieved his biggest successes as a writer for stand-up comics such as Bette Midler, Billy Crystal, Lily Tomlin, and Rosanne Barr. For many years, he was the go-to comic for stand-up sets and a first-choice writer for events, including the Oscar, Grammy, Emmy, and Tony telecasts.

For more information about sponsorship opportunities and tickets, please contact Bonni Raderman, Boulder JFS development associate, at 720.749.3404 or braderman@jewishfamilyservice.org. Tickets will go on sale in September.

Bruce Vilanch Emcees The Michael Musto Roast

Thursday, May 25th, 2017

Unicorn Booty
14 Hilarious Reads from Michael Musto’s New York City Roast
Written by Alexander Kacala
on May 23, 2017

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Last night, a “who’s who” of New York City gathered to honor Michael Musto at a roast given in his honor. No, really, who was who?

Comedian Bruce Vilanch was the fabulous emcee for the evening. Rosie O’Donnell opened the show with a few words, roasting Musto by reminding the audience of how their relationship began many years ago.
“I know it wasn’t really a shock to anyone in this room that I was a big fucking lesbian but middle America apparently was confused,” O’Donnell said. “And Michael Musto was a very pissed off fag.”

“Very faggy gay men seem to be very troubled by dykey gay women who refuse to acknowledge their lesbianism,” she went on.

But obviously the water is under the bridge, as O’Donnell showed up to support Musto’s event for a good cause. O’Donnell ended her set by matching funds raised for the Callen-Lorde Center, donating $20,000 to the LGBT wellness center in New York City.

Jinkx Monsoon, Bianca Del Rio, Real Housewife LuAnn D’Agostino and Judy Gold were just some of the notable names on the bill, reading each other and the man of the hour. Del Rio of course was a highlight of the night — and right at home up there, as roasting is what she does best.

The evening was produced by Daniel DeMello and Nathaniel Nowak. Directed by Rachel Klein, many of the night’s best jokes were written for the roasters by Erik Ransom and Matthew McLachlan. Even Musto himself wrote some of the best digs made at his own expense.

Here are 14 of the funniest moments from Michael Musto’s roast:
Bruce Vilanch to United Airways:

“I came in from LA for this. It was incredible this morning as they dragged me off my United flight. Which was really unusual because I thought United only does Chinese take-out.”

Michael Musto to Bianca Del Rio:

“Bianca Del Rio, Hurricane Katrina is only the second worst thing to ever happen to New Orleans.”

Bianca Del Rio to Randy Rainbow:

“I don’t really know who Randy Rainbow is, but from the looks of his name, I guarantee he’s not allowed 800 feet anywhere near a grade school.”

Judy Gold to Michael Musto:

“Michael Musto is Al Franken run over by a pride parade.”

Johnny Skandros to Countess LuAnn:

“You’re the worst thing to happen to music since Whitney Houston started taking baths.”

Bianca Del Rio to Rosie O’Donnell:

“She has her differences with Trump. But she is a lot like Trump. She has five different kids from three different wives. It’s funny, because if Rosie goes ahead and buys another child, she will have to live in a shoe. And with her being a lesbian, can you imagine how fucking ugly that shoe is going to be?”

Johnny Skandros to Michael Musto

“I have to give you a lot of credit, Musto. You somehow survived the ’80s. It’s like your face was the original PrEP.”

Jinkx Monsoon to Michael Musto:

“With all the fashion sense of a hospital out-patient, Michael Musto looks like Ray Romano if he had a much harder life.”

Orfeh to Bruce Vilanch:

“These are scary times, folks. I don’t understand how people can continue to deny climate change in 2017. I mean, the proof is right in front of us! It’s almost summer and Bruce Vilanch’s neck pouch is still stuffed with the acorns he foraged last fall!”

Crystal Demure to Bianca Del Rio:

“Other recommended viewings on Netflix for Hurricane Bianca are ‘Gouging Their Eyes Out.’”

Marcus Kelle to Bruce Vilanch:

“The last time you got fucked was by genetics.”

Judy Gold to Jinkx Monsoon:

“You look like Kathy Griffin had sex with meth!”

Lucy The Slut to the drag queens:

“Look at these drag queens! They look great, but their makeup is kinda like Febreeze. Pleasant, but it’s main purpose is to cover up shit.”

Michael Musto to Jinkx Monsoon:

“Jinx, you do a brilliant Edie Beale impression, except she happened to be talented, not just mentally ill.”

The Hollywood Museum Announces Fourth Annual Real to Reel: Portrayals and Perceptions of LGBTQs in Hollywood Exhibit

Sunday, May 21st, 2017

Broadway World
The Hollywood Museum Announces Fourth Annual Real to Reel: Portrayals and Perceptions of LGBTQs in Hollywood Exhibit
by BWW News Desk
May. 20, 2017

Bette Midler and Bruce Vilanch

The Hollywood Museum is thrilled to announce its 2017 salute to the LGBTQ community’s contributions to the entertainment industry. The fourth annual “REAL to REEL: Portrayals and Perceptions of LGBTQs in Hollywood” exhibit, in partnership with Los Angeles City Council member Mitch O’Farrell, is an educational, entertaining and informative retrospective of LGBTQ images in film, TV, new digital platforms featuring costumes, props, photos, and iconic imagery all telling the story of the milestones and influence that LGBTQ characters and plot lines have had in Hollywood from early stereotypes to modern-day representations. Additionally, REAL to REEL celebrates LGBTQ icons those individuals and couples who may be openly LGBTQ or not, and who support the LGBTQ community.

The Hollywood Museum’s REAL to REEL exhibition, which coincides with the annual Christopher Street West Pride activities, offers a historic perspective spanning 100 years from silent films to today’s films, TV shows, and digital platforms. “The museum welcomes the opportunity to create and showcase this important exhibition, sharing with the public the artistic expression and extraordinary significance of the LGBTQ culture and its effect and impact on the world through the medium of entertainment,” says Donelle Dadigan, Founder and President of The Hollywood Museum located in the Historic Max Factor Building.

The exhibit revisits monumental LGBTQ moments in history with Rev. Troy Perry, including the Black Cat riots (1967), and on display – the infamous sign that once hung at the entrance of West Hollywood’s Barney’s Beanery. Exhibit highlights include costumes from Transparent, How to Get Away with Murder, The Walking Dead, Empire, Trans America, Sordid Lives, Cruising, Orange is the New Black, RuPaul’s Drag Race, Ray Donovan, Mad Men, Arrested Development, Cabaret,K-11, as well as Cyndi Lauper’s Grand Marshall Costume (Toronto’s Gay Pride parade, 2015. Additional exhibit items include famous costumes from Hollywood’s leading designers – Mr. Blackwell, Bob Mackie, Rett Turner, Nolan Miller, Edith Head – to today’s Project Runway with Tim Gunn and Heidi Klum, as well as Days of Our Lives, The Bold and the Beautiful, Tyler Perry’s The Haves and Have Nots, Scandal, Two in a Half Men, True Blood, The Good Wife, and more. This year’s exhibit also includes, Icons in the Community such as Betty Davis, Joan Crawford, Elizabeth Taylor, Rock Hudson, Liza Minnelli, Bette Midler, Ramon Navarro, Greg Louganis, Charles Laughton, Sam Harris, Bruce Vilanch, Sherman Hemsley, Gere Jewell, Jerry Herman, Lily Tomlin and Jane Wagner and many more.

The Hollywood Museum gratefully acknowledges the following ABC, Amazon Studios, BBC America, CBS, Discovery Life, Focus Features HBO, Logo, NBC, Netflix, OWN, Showtime, TLC and 20th Century Fox, Universal Pictures, as well as organizations serving the LGBTQ community including ONE Archives, Christopher Street West, The Lavender Effect, and The Glaad Awards, amfAR and more

ABOUT THE HOLLYWOOD MUSEUM IN THE HISTORIC MAX FACTOR BUILDING:
See 10,000 Authentic Show Business Treasures spanning more than 100 years of Hollywood history! Located next to the world famous Hollywood Walk of Fame, the Hollywood Museum in the Historic Max Factor Building houses the largest collection of entertainment memorabilia on display in the world. It is home to thousands of costumes, props, photographs, posters, celebrity automobiles and other treasures from some of the most iconic films and TV shows ever made! See Hollywood legends – past, present, and in the making! The museum attracts thousands of fans from around the world and was recently named one of the top tourist attractions by LA Weekly and by Trip Advisor, and was voted one of the Top 10 Museums in LA by the Los Angeles Tourism & Convention Board. The Hollywood Museum is a 501©3 not-for-profit organization.

REGULAR HOURS: Wednesday – Sunday: 10:00am – 5:00pm (Exhibit: Fri, June 10th – Sun, Sept 4th)
TICKETS: $15 Adults: $12 Seniors (62+): $12 for students with ID and $5 Children under 5.
ADDRESS: 1660 N. Highland Ave. (at Hollywood Blvd.), Los Angeles, CA 90028 MUSEUM INFO: www.TheHollywoodMuseum.com or Tel: (323) 464-7776

FOLLOW THE MUSEUM:
WEBSITE: www.TheHollywoodMuseum.com

FACEBOOK: Facebook.com/TheHollywoodMuseum

 

New Petula Clark Musical From Bruce Vilanch Could Be Headed to Broadway

Thursday, February 9th, 2017

New Petula Clark Musical From Bruce Vilanch Could Be Headed to Broadway
02/02/2017 03:56 am ET | Updated 6 days ago
By Pollo Del Mar

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From penning witty zingers for the Tony Awards to hosting Broadway Cares/Equity Fights AIDS fundraisers, Bruce Vilanch is no stranger to the New York theatre community. In 2005, Vilanch even starred as Edna Turnblad in Hairspray. When the Hollywood funnyman returns to Broadway, though, he hopes it’s as writer of the next great jukebox musical.


“Think Mamma Mia!said Vilanch when describing his new musical Sign of the Times. “In fact, please think Mamma Mia! — because Mamma Mia! ran only 12 years, so please think of that!”



WEGOTBRUCE.COM

Bruce Vilanch has penned a new musical! The hysterical out comic says Sign of the Times, featuring the music of Grammy-winner Petula Clark, could be Broadway-bound soon.

Like other “jukebox musicals” — productions such as Jersey Boys and Beautiful – The Carole King Musical — Sign of the Times utilizes hit pop songs rather than an original score. In this case, the music of Grammy Award-winning, ‘60s British pop icon Petula Clark “and other hit-makers of the day” takes center stage.


“When I was in college, and I was hearing Petula’s music, every time I would hear one of her songs, I’d say, ‘What show is that from?’” the comedian shared during an interview on Party Foul Radio with Pollo & Pearl. “They all sounded so theatrical, because they had big orchestras behind them.”


Vilanch recalled a similar feeling when listening to ABBA years later, he told Podomatic’s No. 1-ranked LGBT podcast. Therefore it was not surprising, he said, when the quartet’s catalogue later became the foundation for the wildly successful Broadway hit Mamma Mia!


“They had these big, Broadway pop arrangements behind everything,” said Vilanch of ABBA, noting that, like the Swedish super-group, Clark’s music also “lends itself very well to a Broadway show.” He said: “It always had that feel from the beginning.”



WEGOTBRUCE.COM

Having penned three of her stage shows, Bruce Vilanch has worked with legendary Bette Midler for 47 years. “Which is difficult, because she’s only 32,” the comedian quips, “i’m contractually obligated to say that.”

A six-time Emmy Award-winner, Vilanch has supplied jokes to a veritable Hollywood who’s who, was the quirky center square for four seasons of Hollywood Squares, a long-time reporter and columnist for The Advocate and even cowrote Eartha Kitt’s campy 1980s hit “I Need a Man.” A featured writer on almost every major televised awards broadcast, he’s served as head writer for the annual Academy Awards since 2010.


The hilarious blond – equally known for his inimitable appearance – is far more than champion of the one-liner though. He’s written successful stage productions stretching back more than four decades.


Vilanch cowrote Bette Midler’s 1974 Broadway show Clams on a Half Shell and later inked her 1980 epic Divine Madness. The Divine Miss M again teamed with The Divine Miss V for The Showgirl Must Go On, Midler’s 2008 residency at Caesar’s Palace in Las Vegas.


Vilanch forged a similarly long-standing relationship with Diana Ross. After befriending the MoTown legend on the set of Mahogany, in which he had a bit part, he wrote An Evening with Diana Ross. The show played Vegas, Broadway and was later turned into a television special.



BROADWAYWORLD.COM

In 2005, Bruce Vilanch starred as “Edna Turnblad” in the Broadway production of Hairspray.

When approached by Richard Robins — “a big real estate guy in Chicago,” who purchased Clark’s musical catalogue — to work on Sign of the Times, Vilanch was “immediately interested.” What emerged is the tale of Cindy, a young woman who moves to New York City in 1965 and (according to production notes) discovers “unexpected friends, lovers, careers, and conflicts are all a subway ride away.”


Based on an original story by Robins, and written by Vilanch, Sign of the Times features Clark’s biggest hits including No. 1 single “Downtown,” “I Know a Place” and, of course, the song from which the production draws its name. Also included are smashes from contemporaries Leslie Gore (“You Don’t Own Me”), Nancy Sinatra (“These Boots Are Made for Walking”), Dusty Springfield (“I Only Want to Be With You”) and more.


After debuting last summer with a successful five-week run at Goodspeed’s Norma Terris Theatre in Chester, CT, Vilanch says it could be only a matter of time before New York calls. To gain perspective on the process, he turned to modern musical theatre genius and Tony-winning Broadway superstar Lin-Manuel Miranda (who Vilanch calls “Mr. Hamilton”).


“He said Hamilton took seven years; everything takes seven years,” shared Vilanch, noting Sign of the Times is now in its third year.


“Legitimate theatre, on the Broadway end, is like movies these days,” Vilanch concluded, “Things happen years down the pipeline. Hopefully the next year or so, it’ll end up on Broadway. We’re working our way there!”


LISTEN: Bruce Vilanch talks Sign of the Times, Personal Stories About Diana Ross, Bette Midler & More

BWW Review: A Hysterical UMPO HOCUS POCUS Carries You to the Divine

Saturday, October 22nd, 2016

Broadway World
BWW Review: A Hysterical UMPO HOCUS POCUS Carries You to the Divine
October 21, 2016
By Gil Kaan

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THE UNAUTHORIZED MUSICAL PARODY OF HOCUS POCUS/written by John Flynn & Kate Pazakis/directed by Tye Blue/musical direction by Gregory Nabours/Rockwell Table & Stage/thru November 19, 2016

Executive Producer Kate Pazakis has done it again with her latest UMPO production THE UNAUTHORIZED MUSICAL PARODY OF HOCUS POCUS. Director Tye Blue effectively corrals his vocally gifted cast in gloriously performing re-purposed pop tunes in between delivering Pazakis and John Flynn’s cleverly written homage to the 1993 film Hocus Pocus (starring Bette Midler, Sarah Jessica Parker and Kathy Najimy). No worries if you haven’t seen the movie. You will be howling anyway at this Halloween tale of three witches returning from the dead 300 years later to wreck havoc in (where else?) Salem, Massachusetts. A great part of the fun’s recognizing ‘vintage’ pop songs that have been re-fitted into the HOCUS POCUS narrative.

Totally inhabiting the Bette Midler part of Winifred Sanderson (the oldest sister of the three), Marissa Jaret Winokur readily displays the reasons she won the 2003 Tony Award for Best Musical Actress (HAIRSPRAY). Winokur spouts Winifred’s lines out with the best comic timing and warbles Bette’s songs (“The Rose,” “From a Distance”) most beautifully. Another treat has Winokur embellish the film’s “I Put a Spell On You.”

Cindy Sciacca, commands in the Kathy Najimy role of Mary Sanderson, the middle sis. Only in live theatre, the unexpected interruptions or miscues can bring interesting results. Sciacca had an unexpected incident and handled it so well, she literally stopped the show until the uproarious laughter finally subsided minutes later. That’s a great pro move!

Ava Gaudet quite assuredly filled Carrie Bradshaw’s Manolos as Sarah Sanderson (played by Sarah Jessica Parker in the film). Bars of the recognizable “Sex and the City” theme would frequently play under Gaudet’s on-target Carrie-esque lines.

Tom DeTrinis appeared to be having the best of fun as Binx, the little boy turned into a cat. DeTrinis’ well-timed paw licking or tail gesturing would consistently grab your attention and your laugh reflexes.

Benjamin Schrader scored as the virginal Max Dennison as he pursued the more sexually- knowledgeable Allison (winningly played by Kelley Jakle). Their seduction scene managed to be so funny, yet so hot!

Lana McKissack shined as Dani Dennison, Max’s adventurous, fearless older sis.

Nathan Moore easily disappeared into his five different roles providing the complementary reasons for abundant bouts of laughter.

Opening night had Bruce Vilanch as Guest Narrator introducing the evening with his dependably funny (and topical) takes on the Sanderson Sisters. Peter Allen Vogt quite ably resumed the Narrator role for the rest of the evening offering witty barbs in between (and sometimes, during) sips of various liquors. Too funny!

Katherine Tokarz deserves high props for her choreography, especially her very cool re-enactment of Michael Jackson’s “Thriller,” danced by the whole cast.

Kudos to costumer Chadd McMillan for his spot-on Sanderson Sisters outfits, the Blinx cat jumpsuit; as well as, the attire of the regular humans of the townsfolk. Shout-out to BobbiePinz/Bobbie Zlotnik for the re-created Sanderson Sisters wigs.

Hard to find the perfect seat in the Rockwell main room as the action uses not only the stage, but every inch of the room (and a few willing laps).

The spot-on UMPO band (led by musical director Gregory Nabours on piano; with Blake Estrada on bass, Emily Rosenfield on guitar and Gregory Sadler on drums) rocked as always, provided the driving musicality to the UMPO HOCUS POCUS soundtrack which includes: AC/DC’s “Highway to Hell,” En Vogue’s “Free Your Mind,” Bonnie Tyler’s “Holding Out for a Hero,” Backstreet Boys’ “Backstreet’s Back.”

With the UMPO’s practice of double casting (and more than occasional surprise guest casting), who knows which singing and dancing talents you’ll get to see in THE UNAUTHORIZED MUSICAL PARODY OF HOCUS POCUS. But they’ll probably, most assuredly, be all great!

Future Productions Planned for New Musical A SIGN OF THE TIMES Following Goodspeed Run

Saturday, October 1st, 2016

Broadway World
Future Productions Planned for New Musical A SIGN OF THE TIMES Following Goodspeed Run
By Broadway World Staff
September 22, 2016

 

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A Sign of the Times, the new pop-fueled musical featuring songs made famous by Petula Clark and other hit-makers of the 1960s, recently wrapped up a successful five-week run at Goodspeed’s Terris Theatre in Chester, Conn. where the show played from July 29 – September 4 to packed houses. News of an upcoming production will be announced.

“Welcoming A Sign of the Times for its first full developmental production, and watching it grow over the course of its run, was a thrill for all of us at Goodspeed Musicals,” said Executive Director Michael Gennaro. “We’re so pleased that the show proved to be one of the most highly rated shows by Goodspeed audiences.”

Creator and producer Richard Robin added, “A Sign of the Times truly found its feet under the guidance and support of the top-notch team at Goodspeed. After a summer of audiences humming the sounds of the 60s and connecting with our show’s heroine as she struggles to find her place in an era of change, we’re now looking forward to what’s next as A Sign of the Times explores options for future productions.”

Below is a sampling of what audiences had to say after attending A Sign of the Times:

– “A Sign of the Times was absolutely wonderful, lifting my heart and spirits. It brought back that youthful uplifting feeling of great hope.” – “Just loved this play! It brought me back to my middle to late teenage years. The music and singing and dancing was super! I especially liked that it had humor but also took a look at the racial issues and women’s rights that were so front and center during those years. All in all it was just delightful!” – “I have never had a show leave such an impression on me! I grew up with Petula Clark…”Downtown” was my first 45 record. I can’t get the music out of my head.” – “My wife and I have been to nearly every show that you have produced at both theaters over the last eight years. This is your best so far!” – “A Sign of the Times captured the legacy and impact of the cultural changes wrought by the 60s that were expressed through its music. An inspiring array of songs, outstanding script, crisp choreography, great sets and outstanding performances by all. Bravo for a fabulous show!”

This is the story of Cindy, a 20-something whose dreams are bigger than her Midwestern hometown will allow. Set against the backdrop of New York City in the 1960s women’s liberation, the civil rights movement, and protests of the Vietnam warCindy searches for her place in the world. A Sign of the Times, featuring chart-topping hits from the 1960s, celebrates friendship, love, and discovering one’s sense of self. A Sign of the Times was sponsored by Essex Savings Bank.

1965. The pulse of a changing era lures Cindy from Middle America to the swirl of Manhattan. Unexpected friends, lovers, careers, and conflicts are all a subway ride away in a pop-fueled new musical featuring songs made famous by Petula Clark and other hit-makers of the day. “I Know a Place,” “The Shoop Shoop Song,” and “If I Can Dream” are among the fabulous favorites on an eye-opening ride from innocence to experience. Forget all your troubles, forget all your cares – go “Downtown” and find out who you are!

A Sign of the Times includes popular hits by Petula Clark, as well as classics by Elvis Presley, Lesley Gore, Nancy Sinatra, and Fontella Bass. The musical’s original book is by Emmy Award-winning writer Bruce Vilanch. Vilanch’s career as writer and performer spans the worlds of television, film, and stage. For television he has written for shows as diverse as “The Brady Bunch Variety Hour,” “Donnie and Marie,” “Comic Relief,” and “Hollywood Squares,” as well as serving several years as head writer for the Academy Awards. For Broadway, Bruce not only appeared as Edna Turnblad in Hairspray, but wrote the book for the musical Platinum and penned special material for a number of revues and concerts for the likes of Bette Midler, Michael Feinstein, and Diana Ross, among others.

The cast of A Sign of the Times featured Ephie Aardema (Broadway production of The Bridges of Madison County and Goodspeed’s Terris Theatre production of Snapshots) as Cindy; Robert Lenzi (Broadway’s Tuck Everlasting, and South Pacific) as Brian; Bryan Fenkart (Broadway’s Memphis) as Dennis; Nick Bailey (Broadway production of Casa Valentina) as Matt; and Crystal Lucas-Perry (Little Children Dream of God at the Roundabout Theatre) as Tanya.

The ensemble includes Lauren Boyd (Broadway’s West Side Story), Lauren Nicole Chapman (Broadway’s Kinky Boots), Melessie Clark, Drew Franklin (Seven Brides for Seven Brothers at The Goodspeed and Broadway’s Rodgers & Hammerstein’s Cinderella), Jeremy Gaston (1st National Tour of Sister Act), Alexandra Matteo (Broadway’s Annie), Keven Quillon (Broadway’s Grease, Shrek the Musical, and Annie), Kevin Santos (Broadway’s In the Heights and the National Tours of A Chorus Line, and West Side Story), Dave Schoonover (National Tour of Young Frankenstein), and Alet Taylor (National Tour and Las Vegas productions of The Producers) who will play Cleo.

A Sign of the Times was directed by Gabriel Barre and choreographed by JoAnn M. Hunter. The creative team included Paul Tate DePoo lII (scenic design), Jennifer Caprio (costume design), Ken Billington (lighting design), Benjamin Pearcy (projection design), and Jay Hilton (sound design). Music Direction was by Rick Fox, Music Supervision by Joseph Church, Dance Arrangements by David Dabbon, and Casting was by Tara Rubin Casting.

The story of A Sign of the Times was created by Richard Robin. This production made possible by special arrangement with Richard Robin, president of Wells Street Productions.

For 30 years, The Terris Theatre has been Goodspeed’s home for developing fresh, innovative, and original new musicals. These new works have been developed in Chester, Conn., before they’ve moved on to Broadway, Off-Broadway, National Tours, and other Regional Theatres. Because this is a developmental theatre, the show can change on a day-to-day basis. New scenes are added, songs are moved, costumes are changed, dialogue is tweaked?all based on audience response and feedback.

Under the leadership of Executive Director Michael Gennaro, Goodspeed Musicals is dedicated to the preservation, development and advancement of musical theatre. The first regional theatre to receive two Tony Awards (for outstanding achievement), Goodspeed produces three musicals each season at The Goodspeed in East Haddam, Conn. and additional productions at The Terris Theatre in Chester, Conn., which was opened in 1984 for the development of new musicals. Goodspeed also maintains The Scherer Library of Musical Theatre and The Max Showalter Center for Education in Musical Theatre. Goodspeed gratefully acknowledges the support of United Airlines, the official airline of Goodspeed Musicals, and official auto sponsor Hoffman Audi. Goodspeed is supported in part by the Connecticut Department of Economic and Community Development with support from the Connecticut Office of the Arts.