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Aaron Lazar Will Offer From Broadway to Hollywood in Los Angeles: The solo show is penned by Bruce Vilanch and Scott Mauro

Friday, September 8th, 2017

Aaron Lazar Will Offer From Broadway to Hollywood in Los Angeles
SEP 07, 2017


Aaron Lazar

Aaron Lazar, whose Broadway credits include Mamma Mia!, A Little Night Music, The Last Ship, and Les Miserables, will offer his solo show, Aaron Lazar: From Broadway to Hollywood, September 25 at Rockwell Table & Stage in Los Angeles.

In addition to a mix of tunes, the actor will also share stories of working with Angela LansburyMichael Crawford, Catherine Zeta-JonesPatrick Wilson, Joan Allen, Matthew Morrison, Marsha Mason, Andre De Shields, and more. Show time is 8 PM.

The show is written by Bruce Vilanch and Scott Mauro, a producer of the Tony-winning Dear Evan Hansen.

Rockwell Table & Stage is located at 1714 N. Vermont Ave, Los Angeles. There is a $39–$59 cover charge plus a two-item minimum. For reservations, call (323) 669-1550 or visit

From ‘Golden Girls’ to ‘Silver Foxes’?

Thursday, August 10th, 2017

Boston Globe
From ‘Golden Girls’ to ‘Silver Foxes’?
By Michael Andor Brodeur
AUGUST 08, 2017


Do not adjust your hearing aids: That persistent buzz is just the chatter surrounding “Silver Foxes” — the gently ballyhooed “gay reboot of ‘The Golden Girls’” that isn’t actually a gay reboot of “The Golden Girls” but sort of is.

The brainchild (or grandparent?) of screenwriter Stan Zimmerman (who, back in the day, penned some fine “Golden Girls” episodes himself), “Silver Foxes” is certainly “inspired by” by the original “Girls, and will tell the tangling tales of four older gay men living (and likely grousing) together in Palm Springs — that is, if it gets picked up before the idea is shipped off to Shady Pines.

Right now, “Silver Foxes” exists in just two incomplete forms: 1) a scarcely documented table reading held at Zimmerman’s home that went swiftly viral on Instagram;
2) as a dream tumbling around in the heads of gay men everywhere. However, the latter could not have fathomed the fierceness of the foursome brought together for the former: the lead roles were read by George Takei, Leslie Jordan, Bruce Vilanch, and Todd Sherry. (OMG which one is the tramp?!) Rumor has it they’ve even written a cameo opportunity for Betty White.

This is one hip replacement.

I, for one, am screaming. Networks, meanwhile, are showing Zbornak levels of skepticism.

“Ageism and homophobia are not only keeping the show from getting picked up, but from even being read by a major network,” Zimmerman told HuffPo, all but raising his bugle to summon sleeping armies of slighted gays into clicking formation, let’s-get-Betty-White-on-“SNL” style.

This may or may not work, but here’s a slice of cheesecake and some truth: I’ve seen this move before. You flirt with the ones you don’t want (NBC, ABC, CBS — I mean, give me a break here) in order to draw the interest of the ones you do (Netflix, Hulu, Amazon). I’m pretty sure I learned that one from Blanche. Will it work? Depends.

Netflix seems not to have noticed it has absolutely no money for these sorts of things (might I and Tom Selleck suggest a reverse mortgage?) but it seems like a no-brainer that a comedy about aging gay men in Palm Springs would draw viewers like . . . well, aging gay men to Palm Springs.

In the meantime, not sure if you know this already, but you can get in a solid (or slightly mushed-up) four servings of “Golden Girls” each and every night from 11 p.m. to 1 a.m. Why so late? Because “The Golden Girls” is the raciest thing the Hallmark Channel airs by leaps and bounds (or short, careful steps).

(And with that, I conclude my housesitting for the vacationing Matthew Gilbert. Notice how I didn’t break anything. Thanks for letting me crash on your couch.)

Gay, male ‘Golden Girls’ reboot delayed by ‘ageism,’ ‘homophobia’ in Hollywood

Tuesday, August 1st, 2017

Washington Blade
Gay, male ‘Golden Girls’ reboot delayed by ‘ageism,’ ‘homophobia’ in Hollywood
July 31, 2017 at 8:28 am PDT | by Mariah Cooper


The gay, male reboot of “Golden Girls” has hit a roadblock.

George Takei, Leslie Jordan, Bruce Vilanch and Todd Sherry had already done a table read as the core four. Daniele Gaither and Cheri Oteri also read for the lesbian neighbors. Zimmerman told Fox News a Betty White guest appearance was also planned.

However, Zimmerman says homophobia has kept the show from being developed.

“Unfortunately, we cannot get one network executive to read it,” Zimmerman told Fox News. “Or even a producer to pass it to them. We have found ageism and homophobia alive and well in Hollywood.

They plan to continue shopping the series around to networks and hope a streaming service will pick up the show.

“Hopefully a groundswell of support from the viewing public will get an outlet like Hulu or Amazon to make it,” Zimmerman says.

‘Golden Girls’ writer addresses reboot rumors

Tuesday, August 1st, 2017

Fox News Entertainment
‘Golden Girls’ writer addresses reboot rumors
By Stephanie Nolasco Published July 28, 2017 Fox News


“Golden Girls” writer Stan Zimmerman confirmed to Fox News that a new series inspired by the classic sitcom is in the works featuring four older gay men living together.

The Golden Girls,” which stared Rue McClanahan, Betty White, Bea Arthur, and Estelle Getty, aired from 1985 until 1992. Throughout its run, it racked up 68 Emmy nominations and 11 wins.

“It is not a rumor,” Zimmerman told Fox News in an email. “[‘Golden Girls’ writer] James Berg and I did write a pilot script called ‘Silver Foxes.’ It is NOT a reboot of ‘The Golden Girls.’ But it is inspired by the show, a show that we were lucky enough to have written on during the first season of the show.”

Zimmerman added a private reading of the script took place in his living room with George Takei, Leslie Jordan, Bruce Vilanch, and Todd Sherry as the foursome.

It also featured Daniele Gaither and former “Saturday Night Live” castmate Cheri Oteri as “the power lesbian couple” who live next door, as well as Melissa Peterman as a woman who runs a retirement home where Leslie Jordan resides until “the guys find out he has to go back in the closet.”

Unlike the original, which took place in Miami, “Silver Foxes” would be based in Palm Springs.

Zimmerman also revealed he’s hoping to get the last living “Golden Girl” to join as a special guest.

“We did create a one line role for Betty White to play,” he said. “Our fingers are crossed.”

However, Zimmerman said that despite the all-star cast, as well as having two original writers on board, he’s having trouble finding a network to pick up the series.

“Unfortunately, we cannot get one network executive to read it,” he explained. “Our even a producer to pass it to them. We have found ageism and homophobia alive and well in Hollywood. Hopefully a groundswell of support from the viewing public will get an outlet like Hulu or Amazon to make it.”

Michael Musto Reviews Bruce Vilanch At 54 Below

Monday, June 17th, 2013
Musto on Bruce Vilanch’s Cher Dish, Lady Bunny’s Sex Life, and a Gay Club In Crisis

4-27-2013 3-58-43 AM

“I worked with Sonny and Cher, Sonny without Cher, Cher without Sonny, Chastity with a dick, Chastity without a dick….” said funny man Bruce Vilanch at the top of his 54 Below show. “For years, Cher thought I was Chastity.

“The last time I saw Cher,” he went on, “she said, ‘Vilanch, you fat fuck. You still in the business?’ I looked at her and said, ‘I like this face. Keep this one!’”

Vilanch—who’s written 23 Oscar shows and is also remembered for filling Hollywood Squares with rimshots—was wearing hot pink glasses over his own amazing features while also sporting a T-shirt that said “I Dumped Adele.” The fat fuck admitted that he was writer number seven (out of nine hard-working scribes) on the immortal film epic Burlesque, the one that gave poles a bad name. “Can you imagine it took nine of us to put that piece of shit together?” he intoned. And nine more people to see it, I guess!

But the roly-poly riot was more interested in making light of other people’s degradations. He related a story he’d heard about how Joan Crawford once peed on David Niven from above, while waving just to make sure he knew who she was. (I had no idea so many Oscar winners went to the Mine Shaft, lol!)

And Bruce also shared some horrors he’d witnessed personally, like:

*Bea Arthur accidentally slapping a wookie in the genital-looking face during the filming of the Star Wars Holiday Special and ad libbing, “I’ve never hit a man in the cunt before!”

*George Burns watching Pia Zadora in concert and moaning, “This is the worst thing I’ve ever seen.” “And he was 100,” reminded Vilanch.

*Mario Lopez being ditzy at a teen pageant Vilanch wrote. (“I’d dimple fuck him, but he’s not terribly bright up there.”)

*And when one of the beauty contestants messed up that night, cracked Vilanch, “Whitney Houston—who was alive at the time—called me and said, ‘I no longer believe the children are our future.’” With that, I almost got whiplash spinning my head around to look at Clive Davis’s reaction in the next booth, but his face didn’t move! Maybe it couldn’t. Still, I like it. He should keep this one.

Sunday, June 16th, 2013

New York Post
Reviewed by Joe Regan Jr.
June 13, 2013

4-27-2013 3-55-20 AM

Popping up on the 54 Below stage wearing a T shirt with the message about “Adele,” Bruce Vilanch launched into “Hey, Don’t Look At Me” from Follies with special lyrics about his appearance at his old stomping ground, the basement room of 54 Below. Without a break, Vilanch jumped into “Gee But It’s Good To Be Here” perfectly impersonating Ethel Merman’s high note! His accompanist was the talented Brian Nash who plays for the late open mic show at 54 Below every Monday night at 11:30 PM.

Most of Vilanch’s show was funny stories from his writing experiences on shows including the Oscars, his appearances on Hollywood Squares, and his writing for several beauty pageants. He described how one could get to the major beauty pageants by starting small, taking a local contest first, then moving up to regional, then to state, and ultimately one of the big international contests, especially if you were spotted by professional trainers “Guy and Rex.” Their training method was hysterical, especially when they got to a Miss Universe contest in high altitude Peru. Because there was a sumo wrestler shaped contestant, when she descended the staircase she would knock over all the other contestants! His job was to write the questions and answers for the contestants and they always wanted some special disease to talk about. The response of the girl contestant who blew her line was hysterically funny.

He also did a riff on Pia Zadora who lives in Las Vegas and has just been charged with assaulting her fifth husband, a cop, with his pistol! One of Vilanch’s first jobs was to write an act for her that her rich husband could put in his Las Vegas hotels. He told everyone to watch her movie “Santa Claus and the Martians” for a special Christmas treat. Marvin Hamlisch was also hired and she was to open for George Burns who was 100 years old at the time. Vilanch grew up worshiping Burns and was able to suggest old jokes for his shows which Burns remembered instantly! When Burns saw Zadora in rehearsal, he said it was the worst act he had ever seen! And he had been seeing bad acts for 100 years! Zadora’s husband paid other headliners to come and see her act.

Vilanch’s best stories, which I will not fully disclose here, were about Steve Martin when he was hosting the Oscars and not wanting to do a specific joke which dealt with his fly on camera. The censor lady had approved it and insisted it be done. At the last minute, Martin refused to do it and the Stage Manager announced the cutting of the joke which was broadcast to all the audience! There was also a very funny story about Dolly Parton singing the song she wrote for “Beethoven’s Fifth” with the two dogs at her feet. Suddenly one of the dogs took a big dump so they cut to the upper part of Parton’s torso while a stage manager swept off the droppings. However, Parton was wearing a transparent top and the waist up shot showed her naked big breasts and nipples driving the censor wild. So they cut to her face and as Parton smelled what had happened her mascara started dripping! Vilanch was back stage with Deborah Kerr who was to get the special career award. Vilanch explained that everyone who gets this award usually dies a few months later, which is why Doris Day has always turned it down. He had the job of taking Ms. Kerr, in a blackout, to a platform where she was to appear after Parton’s number. Kerr’s reaction to the smell was priceless!

He also regaled us with the stories of the Lucas repressed Stars Wars Holiday Special, done to promote the next sequel. It was to star the Chewbaca family, who spoke in that language, and featured all kinds of name guest stars including Art Carney, Diahann Carroll, and Bea Arthur. Bea Arthur was to be featured in the nightclub scene and chose to sing “The Alabama Song.” The costumes on the extras were left over unfinished costumes that kept melting. Most of them looked like Vaginas. And on her last note, Arthur knocked over the vagina on her shoulder! Sometimes you will find that clip on you tube!

All in all, there was not a dull or unfunny moment in Vilanch’s act.
He repeats Friday, June 14 at 11 PM. Reservations are a must! Given his popularity with Broadway community he’ll probably sell out.

Maitre D’ & Reservations: (646) 476-3551
To purchase tickets visit or call (866) 468-7619

54 Below – 254 W 54th St, Cellar – New York, NY 10019