Subscribe In A Reader






Bootleg Betty



Amazon



Mister D



Towleroad



Feedjit Stats









Posts Tagged ‘89th Academy Awards’

Film Review: ‘The Fabulous Allan Carr’

Thursday, July 6th, 2017

Variety
Film Review: ‘The Fabulous Allan Carr
By Dennis Harvey
July 3, 2017

thefabulousallancarr_004_allan_in_sunglasses_credit_david_alexander

Taking the same workmanlike, conventional if sprightly approach to mixing talking-head and archival materials he did in “I Am Divine” and “Tab Hunter Confidential,” Schwarz chronicles his subject’s barreling up the entertainment-industry ladder through sheer determination and fandom. The Chicago suburbanite started out investing in legit theater enterprises (invariably involving fabled veteran headliners), moved to TV with the “Playboy’s Penthouse” series, then got involved in event planning (often extravagant showbiz launch parties) and talent management. In the latter vein, his biggest coup was revitalizing the career of Ann-Margret, who in the late ’60s had run her course as an overexposed “sex kitten.” Carr got her a much improved, long-lasting second wind on the Vegas stage, in TV specials and in better movies (including Oscar-nominated turns in “Carnal Knowledge” and “Tommy”).

Beyond producing a number of the broadcast variety specials still popular then, he dabbled in an odd assortment of enterprises wearing various hats: Putting together the Joe Namath-Ann-Margret biker flick “C.C. & Company” (1970); repackaging a cheesy Mexican disaster-cum-cannibal exploitation feature into the incongruously high-grossing “Survive!” (1976); playing key roles in the marketing of 1978’s best picture winner “The Deer Hunter” as well as producer Robert Stigwood’s music-driven hits “Tommy” and “Saturday Night Fever.” That gave him the clout to become the driving force behind a pet project, filming Broadway tuner “Grease” with “Fever”’s John Travolta and pop star Olivia Newton-John. It was a box-office smash, although Carr’s penchant for self-promotion wound up irking co-producer Stigwood, with whom relations became strained.

That was of little concern to Carr, who was now king of the mountain — even if studio executives and others often snickered behind his eccentrically caftan-clad back. If he couldn’t be one of the “beautiful people” (at one point he underwent gastric-bypass surgery to stem his ballooning weight), he could at least surround himself by them, including a stable of fame-aspiring pretty boys. Some of their surviving number, as well as several celebrity pals, attest to his indulgences and generosity here, though also to some drug-fueled mood swings.

The latter — as well as personal tastes more enthusiastic than refined — may have played a role in several spectacular, costly miscalculations. The most infamous was 1980’s tardy disco extravaganza “Can’t Stop the Music,” starring the Village People, Steve Guttenberg, Valerie Perrine and Bruce Jenner (now Caitlyn, and alongside Ann-Margret a notable interview holdout here). That $20 million boondoggle was directed by veteran actress Nancy Walker, who had almost no behind-the-camera experience and was dubbed by some participants “Can’t Stop the Cocaine.” Almost equally derided, if not quite as financially catastrophic (and an even bigger subsequent camp “classic”), was 1982’s ill-advised “Grease 2.”

Carr licked his wounds from these and other failures by turning to Broadway, where he assembled the major-league talents that would make the following year’s “La Cage aux Folles” not only a huge hit but the Great White Way’s first fully “out” gay-themed musical. Alas, this comeback triumph would soon be overshadowed by what had seemed his “dream come true” plum assignment: producing the Academy Awards broadcast.

While much of that 61st ceremony in 1989 proved influential (among other things, it introduced staple Bruce Vilanch as head comedy writer), the press heaped scorn on a long, awkward, starry and spoofy opening number that had Snow White (Eileen Bowman) traipsing past various new and aged stars singing nonsensically chosen songs (most infamously Rob Lowe’s rendition of “Proud Mary”). The intended absurdist humor missed the mark, humiliating Carr further when a roster of Hollywood bigwigs including some he considered close friends wrote an open letter castigating the Academy for this “embarrassment.”


While it uses this low ebb as a narrative bookend, “The Fabulous Allan Carr” adds insult to old injury by suggesting it was all Carr’s brainstorm — curiously failing to note that the campy concept and style were lifted whole from long-running San Francisco revue “Beach Blanket Babylon,” whose creator Steve Silver was very much involved in the telecast.

Practically exiled for this “crime,” Carr became a recluse before cancer claimed his life in 1999 at age 62. He did at least live to enjoy a successful 20th-anniversary rerelease of “Grease” the prior year.

A lot of colleagues both famous and non- provide amusing recollections of an over-the-top persona and the glittering excess he liked to surround himself with. One could wish for a less pedestrian package than the one Schwarz has provided (a few brief animations providing the most adventuresome touch), but then this story supplies quite enough kitschy, name-dropping flavor on its own, with or without additional stylistic filigreeing.



Film Review: ‘The Fabulous Allan Carr’


Reviewed online, San Francisco, May 24, 2017. (In Seattle Film Festival, Frameline, Outfest.) Running time: 90 MIN.

Production


(Docu) An Automat Pictures and Lottie & Lorraine Pictures presentation. (International sales: The Film Collaborative, L.A.) Producers: John Boccardo, Jeffrey Schwarz. Co-producers: Larry Spitler, Taki Oldham. Executive producer: David Permut.

Crew


Director: Jeffrey Schwarz. Camera (color, HD): Jeff Byrd, Matt May, Keith Walker. Editors: Carl Pfirman, Schwarz. Music: Michael “The Millionaire” Cudahy.

With


Patricia Birch, Maxwell Caulfield, Steve Guttenberg, Nikki Haskell, Robert Hofler, Randy Jones, Randal Kleiser, Sherry Lansing, Lorna Luft, Michael Musto, Robert Osborne, Brett Ratner, Connie Stevens, Alana Stewart, Marlo Thomas, Bruce Vilanch.

Kritzerland Announces THE APRIL FOOLS Concert with special guest, Bruce Vilanch

Friday, March 24th, 2017

Broadway World
Kritzerland Announces THE APRIL FOOLS Concert
by BWW News Desk Mar. 17, 2017

4-27-2013 3-29-19 AM

Kritzerland has announced a new concert event coming on Sunday, April 2, 2017 entitled “The April Fools.” This entertaining evening will take place at Sterling’s Upstairs at the Federal in North Hollywood, California.

For the 76th Kritzerland show, we have our annual wild and wacky April Fools show, always a favorite for us at Kritzerland. You can always expect the unexpected – you’ll get some Spring songs, some April songs, and some Foolish and crazy songs – as always, you’ll know some and many you won’t know at all – for this iteration, we have songs from several flop musicals we all know and love, including Carmelina, Bring Back Birdie, We Take the Town, Minsky’s, and others, while we also have songs from Promises, Promises, Hallelujah, Baby, Annie, Newsies, as well as some classic pop standards. We’ve assembled a merry and fun cast for this one as well as our hilarious guest star, Bruce Vilanch and we can only say that what he’s doing in this show you will not want to miss. So, come join us in the merriment and mirth and tuneful evening we have in store. Kritzerland is produced and hosted by Bruce Kimmel and co-produced by Doug Haverty.

Included in the line-up are:

Will Collyer [Regional: Breaking Through (Smith) Pasadena Playhouse; Parade Mark Taper Forum; Carousel (Enoch Snow, Jr) Hwd. Bowl, Local: MTG, WCE, Boston Court, Odyssey]
Jennifer Foster [Off B’way: If There Is … ; Regional: Merrily We Roll Along, Hair, Carrie: The Killer Musical; TV: Looking, Glee; Film: Looking; Disney: Frozen: Live at the Hyperion]
Hadley Belle Miller [Voice, Lucy van Pelt, Peanuts Movie; National Tour: Cathy Rigby Is Peter Pan (Michael); (www.hadleybellemiller.com)]
Kerry O’Malley [B’way: Into the Woods (Baker’s Wife), White Christmas (Betty), Billy Elliot (Mum), Annie Get Your Gun (Dolly), On a Clear Day (Sharone); TV: Shameless, Boardwalk Empire, etc.]Jenna Lea Rosen [Regional: Parade, Ovation Award 3DT; TV: Sofia the First (Shelly, Clio, Hildegard), Elena of Avalor (Ciela) Disney Jr. series.]
Hayley Shukiar [Meet Me In St. Louis (Tootie); Peter Pan (Wendy); Little Mermaid (Ursula); Willy Wonka (Veruca Salt) Cabrillo; Studio singer for Hal Leonard Publishing.]
NICK TUBBS [Regional: Assassins (Balladeer), Forever Plaid (Jinx), Les Miserables (Enjolras) The Full Monty (Malcolm); Other: Princess Cruises, Kit and The Kats]
Robert Yacko [Do I Hear a Waltz? (Renato) MTG; Addams Family (Mal) 3-D; Parade (Dorsey) Mark Taper, Company (Paul) w/ Carol Burnett, Sunday in the Park with George (George) LA Premiere]

Bruce Vilanch (Special Guest) [B’way: Hairspray (Edna); Off B’Way: Bruce Vilanch: Almost Famous; Film: Mahogany; TV: Hollywood Squares, The Simpsons, The Oscars (2 Emmys/Writing)]

RESERVATIONS RECOMMENDED!

IMPORTANT RESERVATION INFORMATION!

The only way to reserve is via Brown Paper Tickets! It’s easy! Go to sterlingsupstairs040217.brownpapertickets.com.

Dinner reservations: DOORS OPEN 5:30pm. SHOW STARTS 7:00pm

Sterling’s Upstairs at the Federal is located at 5303 Lankershim Boulevard, North Hollywood, CA 91601

Bruce Vilanch, Chris Hendricks, Roslyn Kind and More Slated for MY NEXT BREATH Fundraiser

Sunday, March 12th, 2017

Broadway World
Bruce Vilanch, Chris Hendricks, Roslyn Kind and More Slated for MY NEXT BREATH Fundraiser
Mar. 6, 2017

iconsquareMyNextBreatheFlyer

An evening of music and comedy will serve as a fundraising event for the filming and editing of the documentary project “My Next Breath” (mynextbreathfilm.com/about), hosted by Bruce Vilanch, with musical performances by Chris Hendricks, Roslyn Kind and Mary Wilson, on Sunday, March 19, 2017 at Catalina Jazz Club 6725 Sunset Blvd, Hollywood, CA 90028.

The evening features the comedy of Kathy Buckley and Geri Jewell. Under the musical director of Michael Orland with director/producer and David S. Zimmerman, the event will include special surprise guests.

Program: 8:00 pm show (6:00 pm doors / VIP Seating – 6:30 pm doors / General Seating). Tickets here.

My Next Breath is a documentary that takes a journey inside the world of an intensive acting class, and finds out how the artists are able to be thoroughly open enough to create from a true and sacred place inside. The documentary also shows the profound impact the workshop has had upon its participants years later and how it facilitated a powerful imprint among each of the members the group.