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Archive for the ‘Cabaret’ Category

Join Bruce Vilanch For A ‘One Night Stand’ Tonight, May 29, 2016 At The Olympus Theatre In Highland Park, MI

Sunday, May 29th, 2016

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Join us for “A One Night Stand” with gay icon, and 6 time Emmy winner, Bruce Vilanch at the newly rennovated Olympus Theatre!

Show date is May 29, 2016

It may be a one night stand but we have TWO shows for you to choose from!

Shows at 4pm and 8pm.

Tickets : $40
(includes show and two drinks)

Optional $50
(includes show, two drinks, and VIP meet and greet after the show with Photo op)

Seating is assigned so grab your tickets at Showtix4u.com! Search for Bruce Vilanch or click the link in this event! Tickets are also available bar side at Menjos!


Bruce Vilanch & The Skivvies To Play At Fire Island Arts Project SATURDAY, August 13, 2016 8PM

Sunday, May 29th, 2016

Bruce Vilanch & The Skivvies
SATURDAY, August 13, 2016 8PM
fire island pines arts project


Bruce Vilanch & The Skivvies

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In Association with rj productions

Emmy Award-winner, celebrated comedy genius and Fire Island favorite, Bruce Vilanch, comes to Whyte Hall in August with musical comedy sensations The Skivvies. From writing The Oscars for over 25 years to The Hollywood Squares, Bruce has many stories to tell.

The Skivvies, the “musically thrilling” undie-rock, comedy-pop duo don’t just strip down their musical arrangements, they literally strip down to their underwear to perform their distinctive mashups and eccentric originals for cello and ukulele starring Award-winning singer-actors Lauren Molina (Broadway’s Sweeney Todd & Rock of Ages) and Nick Cearley (All Shook Up, Buyer and Cellar) The Wall Street Journal called them “smart, sophisticated…ingenious.”

Tickets $100 & $75

TICKETS AVAILABLE IN THE HARBOR AND AT THE BOX OFFICE

An Evening With Emmy Award Winning Comedy Genius Bruce Vilanch March 26, 7:30 PM, The Rrazz Room, New Hope, PA

Saturday, March 26th, 2016

An Evening With Emmy Award Winning Comedy Genius Bruce Vilanch March 26, 2016, 7:30 PM, The Rrazz Room, New Hope, PA

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From Mr. Vilanch: “Currently celebrating his seventeenth year as Lindsay Lohan’s sobriety coach, Bruce Vilanch is descending to The RRazz Room At The Raven to dispatch more updates on his bizarre career behind, before and squatting over the footlights. A Hairspray star, a Hollywood Square and the latest success story on Christian Mingle, (who just hooked him up with a guy who used to be Pope), Bruce has more than a few songs to sing and stories to tell.”

 

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Orlando: Naked Boys Singing is a boozy, bawdy evening of ogling buff boys with their balls swinging in the breeze

Saturday, February 13th, 2016

Orlando Weekly
Naked Boys Singing is a boozy, bawdy evening of ogling buff boys with their balls swinging in the breeze
By Seth Kubersky
Feb 12, 2016

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We live in a world of lies, bombarded daily by half-truths, obfuscations and outright falsehoods from promoters and politicians. So let’s get erect and give a standing ovation to Naked Boys Singing for earning the “truth in advertising” award. This spirited musical revue may not have any dialogue, characters or plot, but it’s got more exposed penises than a half-dozen productions of Equus. Which just goes to show how far our city has evolved: Back in 2000, a lone Naked Guy at the Orlando Fringe faced threats of arrest, but in 2016 seven nude dudes can strut on the Footlight stage for five weekends and no one blinks an eye.

A long-running hit in New York, NBS comes to Orlando courtesy of producer-director Tim Evanicki, who recently took the reins of the Parliament House’s Footlight Theatre. Under former artistic directors Michael Wanzie and David Lee, Footlight hosted not only PH’s popular drag shows, but legit dramas and comedies that drew audiences of every orientation. That leaves Evanicki some big shoes to fill in his new role, as he graciously acknowledged at the packed press preview.

“I am loving this job,” Evanicki told me in an interview after opening night. “Parliament House is an LGBT resort that caters to everyone. I’d like the programming in the theater to reflect that. We will be bringing in more book musicals and big names that appeal to all walks of life.”

Evanicki first saw Naked Boys Singing at NYC’s Actors Playhouse in 2004 and made it his top priority upon becoming PH’s new artistic director. “I wanted to make sure we kicked it off with something that would put the Footlight Theatre on the map,” he said. “I also wanted to pick a show that would cater to and attract more than just the LGBT community.” Of course, assembling a show where the cast is unclothed nearly the entire time required some adjustments. “Singing auditions were fully clothed, but the dance callback was done nude,” Evanicki recalled. “It was funny, because we have union performers, and the union required us to have a monitor from Actors’ Equity audit the audition process. Poor Doug Truelsen.” The early rehearsals were done dressed, but drawers were dropped once Pete Simpson’s choreography – which puts a floppy twist on the classic chorus kickline – was complete. “I left it up to the boys as to when they felt comfortable rehearsing nude,” said Evanicki. “We had 12 total rehearsals, and they were nude on day seven.”

It’s one thing to hoot and holler at a stage of stripped strangers, but I found the show a tad awkward to watch (at least at first) because I know some of the cast. For example, I’ve been friends with Joshua Roth since we worked on Tod Kimbro’s 2011 Fringe musical Suckers, but I’ve never seen him as exposed as during his “Perky Little Porn Star” number. “There is nothing that truly prepares you for 90 minutes of nudity; you kind of just have to jump into the deep end headfirst and with a smile on your face,” Roth told me. A theme-park performer by day, Roth’s NBS role has let him “step way out of my comfort zone, as well as become more comfortable with myself, my peers and also complete strangers.” Of course, you can’t do a nude musical without some unintended side effects: “I have been working a lot with aerial silks lately, and I have a pretty bad bruise on my upper left thigh … pretty much my groin area. I pulled Pete (our choreographer) into the dressing room, and without even thinking about it pulled down my pants and showed him the bruise. It wasn’t even until about five minutes after he left the dressing room that he realized that I had just whipped it all out for him and he didn’t even notice or care … and neither did I.”

So after all that, how is the show? As I said above, if you are interested in story or deep meaning, better move along: There’s a nod to nakedness as a metaphor for emotional vulnerability and a maudlin song about a dead lover, but otherwise the mood is kept light and campy. The performers are all solid (ahem), especially Kevin Kelly, who wears Liza well in the Fosse-flavored “Entertainer,” but the majority of the music is simply unmemorable. With a baker’s dozen of credited writers (including Bruce Vilanch), it’s a clear case of too many cooks muddling the man-chowder, and musical director John T. Gardner’s keyboard often drowned out the unamplified singers. As a hetero male, I didn’t identify with some of the topics (like gym addiction), though it appears sung schlong synonyms make everyone’s inner 12-year-old snicker, gay or straight. But if a boozy, bawdy evening of ogling buff boys with their balls swinging in the breeze sounds like ideal entertainment, better buy your seats now; Naked Boys Singing looks to be the hardest ticket of this theater season.


Super-Sized Comedy: Bruce Vilanch

Friday, November 6th, 2015

Metro Weekly
Super-Sized Comedy: Bruce Vilanch
Bruce Vilanch and Judy Gold team up for an evening of comedy and Hollywood secrets
By Connor J. Hogan on November 5, 2015

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“You get your start in comedy by looking in the mirror and thinking what you see is unusual,” says Bruce Vilanch. “So you start making funny faces and perform for yourself.”

Sixty-six years — and six Emmys — after first catching a glimpse of himself in the mirror, Vilanch is still screwing up his face and cracking wise. His signature heft, charmingly raspy voice, and unstoppable wit marked him for a career in comedy from the get go. It helped that he had a “deep-seated need to express [myself],” Vilanch says. “Also, to be funny.”

More than just a comedian, Vilanch has become a force of nature in Hollywood and is particularly known for co-penning the Academy Awards each year. Now, he’s teamed up with lesbian comedian Judy Gold (a two-time Emmy award winner herself) for Big and Tall: Bruce Vilanch and Judy Gold, playing this weekend at the Alden Theatre. “I’m number one, and she’s number two,” Vilanch quips. The comedians met while Gold was working on Margaret Cho’s sitcom, All-American Girl. “I don’t remember exactly when lightning struck,” Vilanch says, “but we were two big gay Jews, and we’re both very showbizzy, so it was a natural fit.”

But beyond being gay and Jewish, Gold has one more more handicap — at least in Hollywood’s terms — than Vilanch: being a woman. “It was interesting for Judy, because at the beginning she wasn’t out. It was pre-Ellen,” Vilanch says. “And because all women are perceived as romantic figures, the vast unwashed audiences had to think she had a shot at getting a man.”

In our post-Ellen world, however, Vilanch believes comedians can thrive on being gay. “There are people who are Professional Homosexuals, and those who are Homosexual Professionals,” he says. “People who were gay who did what they did, and people who what they did was being gay. When I get up there, I play myself. I’ve been authentic my entire life.” — Connor J. Hogan

Big and Tall: Bruce Vilanch and Judy Gold is Saturday, November 7th at 9 p.m. at the Alden Theatre in the McLean Community Center, 1234 Ingleside Ave., McLean, Va. Tickets range from $20 to $72. For more information, visit mcleancenter.org/alden-theatre.

Bruce Vilanch brings Carnival fun to Provincetown Theater

Tuesday, August 18th, 2015

Provincetown Banner
Bruce Vilanch brings Carnival fun to Provincetown Theater
August 18, 2015

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All kinds of fabulous people come to Provincetown during Carnival week. Bruce Vilanch is one of the funniest and he’s got a new 90-minute show at the Provincetown Theater, Aug. 20-22. Plus, he’s bringing some special friends, the Skivvies, with him.

The Skivvies, Vilanch explains, “are a man and a woman and they play instruments and they work in their underwear. They were in the John Doyle production of ‘Sweeney Todd’ and fell in love with their instruments.”

The Skivvies have a following of Broadway friends who hang with them and also play in their undies. For this show, Nick Adams, of “Wicked” and “Priscilla, Queen of the Desert” fame, and Randy Harrison appear with them.

Everywhere Vilanch goes it’s a party — a celebration of gay life and culture. Here is a man who doesn’t need the Supreme Court to make him feel like a real person. He’s been making queer folks laugh and feel good about themselves for years. A wickedly outrageous comic with a heart of gold, he’s the Jewish mother you always wanted.

Vilanch started out as a child actor in New York doing commercials and summer stock, never the star but always in the show. “I was never a child star or we’d be having this conversation in rehab,” he says. “My parents encouraged it. They were happy that I was happy doing it. However, they wanted me to have something to fall back on. They thought journalism would be the thing.”

After college he worked for the Chicago Tribune. While there, he interviewed Bette Midler. Before long, he was writing her act and when she hit it big both of them were off and running. He also wrote for Lily Tomlin, Whoopi Goldberg and Robin Williams.

He was the head writer for the Academy Awards from 2000-2014 and served in the same capacity for the third iteration of Hollywood Squares.

“I’d been writing for Whoopi for years and when [‘Hollywood Squares’] made a deal with her, she said, ‘Vilanch should be the host,’” he says. “They thought she was crazy but they didn’t want to piss her off so early so they tested me.”

“They said your test is really funny but we need someone a little more mainstream to be the ringmaster in this circus,” says Vilanch. “They put me in a square next to Whoopi. They figured I could tame her, which is not a good idea because she’s really a Jewish boy and I’m a black woman. We had a lot of fun out there. All of a sudden I was on TV every night. Just like Donald Trump.”